Perth puts more women on the podium

For a very long time, the classical music world had no place for women in the orchestra, let alone on the podium.

To put things into perspective, the Berlin Philharmonic first admitted a woman in 1982, and the Vienna Philharmonic didn’t even allow women to audition until 1997. Today, only 15 of the Vienna Philharmonic’s 145 permanent members are women.

The Vienna Philharmonic exemplifies gender inequality in the classical music world.

The culture of classical music is so bound by tradition and 19th Century values that these orchestras are put on a pedestal, despite their lag in gender equity, and are revered by music institutions around the world.

It’s hardly surprising that in 2021, fewer than 5% of the world’s major orchestras have a woman as their chief conductor. According to an article published by Classic FM last year, only 8 of the world’s top 100 conductors are women. While this is an improvement on recent decades, we are still a long way from gender equality in classical music.


Perth Symphony paves the long road to gender equality

Known for changing perceptions and challenging the status quo, Perth Symphony is on a mission to elevate the position of women in classical music. By creating a safe and supportive space for women to learn the art of conducting, the orchestra’s Women on the Podium program removes one of the biggest barriers to participation.

Kate Milligan conducts Perth Symphony’s ‘Sound and Waves’ Photo: Daniel Carson |

The program not only equips talented local musicians with the confidence required to excel in this male-dominated field, but it also provides them with real opportunities to stand on the podium to conduct singers, small ensembles, and even a full symphony orchestra.

While women are still dramatically underrepresented in arts leadership roles, seeing other women on the podium makes a career in conducting seem more accessible to women, and inspires them to follow. 




Elise Chong conducts Perth Symphony for ‘Romance on the Green’ – Photo: Daniel Carson |

The success of Women on the Podium has led to something utterly unique happening here in WA. With the program in its 5th year, it seems Perth now has more women conductors than men.

Two of this year’s Advanced Program participants, Kate Milligan and Elise Chong are conducting major works for PSO, while previous participant, Jen Winley, has recently been appointed Assistant Conductor of the West Australian Symphony Orchestra. With several participants  already setting up their own ensembles or launching businesses, the program is building its own legacy of music making and changing the face of the Arts in WA.


Women on the Podium 2021

Conducting masterclass with Alice Farnham via Zoom.

Perth Symphony’s Women on the Podium initiative offers Beginner, Intermediate and Advanced groups to meet the needs of conductors in various stages of their career development.

The women selected for the Advanced and Intermediate groups already have considerable conducting experience and many hours of tuition under their belts. To advance their development, it is essential that they cover different genres and work with a variety of arts companies.

So far this year, the participants have:

  • Observed rehearsals of Mozart’s C-Minor Mass and Elena Kats-Chernin Prelude and Cube with orchestra, choir, and soloists in collaboration with Kris Bowtell and the UWA Choral Society
  • Had Q&A sessions with the Artistic Director at West Australian Opera, Chris Van Tuinen
  • Participated in introductory sessions via Zoom with Alice Farnham on how to prepare an opera score, specifically The Marriage of Figaro
  • Participated in conducting workshops, overseen by Chris Van Tuinen and Alice Farnham from the UK via Zoom
  • Observed the orchestral, stage and Sitzprobe rehearsals of The Marriage of Figaro at WA Opera
  • Conducted the WA Opera Young Artists accompanied by string quartet and piano (Advanced Group)
  • Conducted professional sopranos Prudence Sanders, who is playing the role of Suzanna, and Naomi Johns, who is playing the role of Countess in The Marriage of Figaro (Intermediate Group)
  • Attended a ballet rehearsal for Coppelia in the studio, before a session on preparing ballet scores with Jessica Gethin
  • Observed the dress rehearsal for Coppelia at His Majesty’s Theatre

Alice Farnham, Artistic Director of Women on the Podium

In the lead up to Christmas, details will be finalised for the Beginner’s Weekend, while the Intermediate and Advanced participants will:

  • Have the unique experience of conducting full orchestra live to screen in a rehearsal of The Snowman
  • Attend more Q&A sessions with international conductors, Sarah Ioannides and Maria Seletskaja
  • Attend a workshop on the ballet, Sleeping Beauty, with WA Ballet
  • Have a private mentoring session with Alice Farnham, Artistic Director of Women on the Podium




The Women’s Conductor’s Circle

When women are constrained from reaching their full potential, that potential is lost to society as a whole. – “Frequently asked questions about gender equality”, United Nations Population Fund

To eliminate another one of the major barriers to women seeking this kind of training, Women on the Podium is free of charge to successful applicants. This is made possible by the Women’s Conductor’s Circle, a group of remarkable women who have generously contributed funds to help advance the career and development of female conductors in Perth.

In addition to these annual donations, Women on the Podium is funded by the Department of Local Government, Sports and Cultural Industries, Wesfarmers, and the Minderoo Foundation. In 2021, Perth Symphony is incredibly grateful and proud to invest $100k into the program.